{"id":6390,"date":"2020-04-28T20:47:04","date_gmt":"2020-04-28T20:47:04","guid":{"rendered":"http:\/\/vilmapitrinaite.com\/?page_id=5920"},"modified":"2020-05-05T22:15:19","modified_gmt":"2020-05-05T22:15:19","slug":"somaholidays-2","status":"publish","type":"page","link":"http:\/\/vilmapitrinaite.com\/index.php\/somaholidays-2\/","title":{"rendered":"Somaholidays"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Sur une cha\u00eene de montage \u00e0 120 battements par minute, trois danseurs de diff\u00e9rentes g\u00e9n\u00e9rations examinent le th\u00e8me de l\u2019\u00e9vasion. Le film mocumentaire touristique se m\u00eale aux des rituels de clubbing \u00e0 la recherche de moyens d\u2019entrer dans un \u00e9tat de somaholidays tel que d\u00e9crit Aldous Huxley dans son roman dystopique &#8220;Le Meilleur des mondes&#8221;&nbsp; &#8211; une catharsis, induite artificiellement, un seuil de r\u00e9alit\u00e9 plus r\u00e9elle sans culpabilit\u00e9, honte ou responsabilit\u00e9 civique.&nbsp;<\/h4>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/vilmapitrinaite.com\/wp-content\/uploads\/2020\/04\/BS3-39-1024x640.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/vilmapitrinaite.com\/wp-content\/uploads\/2020\/04\/BS3-60-1024x640.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/vilmapitrinaite.com\/wp-content\/uploads\/2020\/04\/aBS3-73-1024x427.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Concept: Vilma Pitrinait<\/strong>e<\/h6>\n\n\n\n<h6 class=\"has-white-color has-text-color wp-block-heading\"><strong>Avec et par: Mantas Staba\u010dinskas\/Rasa Danilinait\u0117, Darius Algis Stankevi\u010dius, Vilma Pitrinait<\/strong>e<\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Musique: Ar\u016bnas Periokas<\/strong><\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Dramaturgie et costumes: R\u016bta Junevi\u010di\u016bt<\/strong>\u0117<\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Cr\u00e9ation lumi\u00e8re projections vid\u00e9o : Vladimiras \u0160erstobojevas<\/strong><\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Oeil ext\u00e9rieur : Thomas Pondevie<\/strong><\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Trailer:&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/vimeo.com\/255347162\" target=\"_blank\">https:\/\/vimeo.com\/255347162<\/a><\/strong>&nbsp;(<strong>Monika Janulevi\u010di\u016bt\u0117<\/strong>)<\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\">Publicity shots: photos Mantas Staba\u010dinskas, collage: Nicholas Matranga<\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\"><strong>Full show:&nbsp;<\/strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=T1Zm6_w2ENE&amp;list=UUNj-39w2h1uRjrt4wnfEplQ&amp;index=21\" target=\"_blank\">https:\/\/www.youtube.com\/watch?v=T1Zm6_w2ENE&amp;list=UUNj-39w2h1uRjrt4wnfEplQ&amp;index=21<\/a><\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\">Premi\u00e8re au festival &#8220;Nouvelle Danse Baltique&#8221;, Vilnius, 12 Mai 2018<br>Co-production et soutien: Charleroi Danse Centre chor\u00e9graphique de la F\u00e9d\u00e9ration Wallonie-Bruxelles, Minist\u00e8re de la Culture en Lituanie, Agence Culturelle d\u2019Alsace, DRAC Languedoc &#8211; Roussillon &#8211; Midi-Pyr\u00e9n\u00e9es. R\u00e9sidences et support: Charleroi Danse, Tanzhaus Zuerich, Foyer \u00e0 Marminiac, France, Kaunas Kamerinis Th\u00e9\u00e2tre, Lituanie, Kaunas Maison des Artistes, Lituanie<\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\">Articles en anglais:&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/dance.lt\/new\/en\/2018\/06\/22\/somaholidays-and-their-spectators\/\" target=\"_blank\">http:\/\/dance.lt\/new\/en\/2018\/06\/22\/somaholidays-and-their-spectators\/<\/a>,&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/writingaboutdance.com\/performance\/vilma-pitrinaite-somaholidays-new-baltic-dance18\/\" target=\"_blank\">http:\/\/writingaboutdance.com\/performance\/vilma-pitrinaite-somaholidays-new-baltic-dance18\/<\/a><\/h6>\n\n\n\n<h6 class=\"has-light-gray-color has-text-color wp-block-heading\">Articles en lituanien:&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.kult.lt\/naujasis-baltijos-sokis18-trupes-cie-sokio-spektaklis-somaholidays-rave-cool\/\" target=\"_blank\">http:\/\/www.kult.lt\/naujasis-baltijos-sokis18-trupes-cie-sokio-spektaklis-somaholidays-rave-cool\/<\/a>,&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/menufaktura.lt\/?m=1052&amp;s=68278\" target=\"_blank\">http:\/\/menufaktura.lt\/?m=1052&amp;s=68278<\/a>,&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.15min.lt\/kultura\/naujiena\/teatras\/naujasis-baltijos-sokis-18-keturios-neipareigojanciu-pokalbiu-rusys-283-977068#.Wwj6kkPOKBE.facebook\" target=\"_blank\">https:\/\/www.15min.lt\/kultura\/naujiena\/teatras\/naujasis-baltijos-sokis-18-keturios-neipareigojanciu-pokalbiu-rusys-283-977068#.Wwj6kkPOKBE.facebook<\/a>&nbsp;,&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/pilnas.kaunas.lt\/somaholidays-sokti-lyg-niekas-nematytu-interviu\/\" target=\"_blank\">http:\/\/pilnas.kaunas.lt\/somaholidays-sokti-lyg-niekas-nematytu-interviu\/<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Sur une cha\u00eene de montage \u00e0 120 battements par minute, trois danseurs de diff\u00e9rentes g\u00e9n\u00e9rations examinent le th\u00e8me de l\u2019\u00e9vasion. Le film mocumentaire touristique se m\u00eale aux des rituels de<\/p>\n<p class=\"more-link\"><a href=\"http:\/\/vilmapitrinaite.com\/index.php\/somaholidays-2\/\" class=\"readmore\">Continue reading&#8230;<span class=\"screen-reader-text\">Somaholidays<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":6192,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-6390","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/pages\/6390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/comments?post=6390"}],"version-history":[{"count":9,"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/pages\/6390\/revisions"}],"predecessor-version":[{"id":7153,"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/pages\/6390\/revisions\/7153"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/media\/6192"}],"wp:attachment":[{"href":"http:\/\/vilmapitrinaite.com\/index.php\/wp-json\/wp\/v2\/media?parent=6390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}